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COASTER-3PCS TABEL SET features a sleek black finish with a contemporary design. Dimensions:coffee table:48"L x 26"W x 19"Hend table:24"L x 24"W x 23"H Some assembly may be required. Please see product details.

Features

• Black Finish Wooden Occasional Table Set
• Wooden construction
• Beautiful Black finish
• Contemporary style with a geometric design
• Comprises of 2 x End Table and 1 x Coffee Table

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Hang on for maximum mayhem full-on fun and the wildest chase scenes ever put on film! The action and comedy never stop when superstars Martin Lawrence and Will Smith reunite as out-of-control trash-talking buddy cops. Bullets fly cars crash and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Lawrence discovers that playboy Smith is secretly romancing his sexy sister Gabrielle Union (Bring it On). Director Michael Bay (Pearl Harbor Armageddon) and producer Jerry Bruckheimer (Pirates of the Caribbean Black Hawk Down) deliver a high-speed high-octane blockbuster that will blow you away! "...Year's most action-packed and high-flying flick." (Shawn Edwards FOX TV).System Requirements:Running Time: 146 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 043396006195 Manufacturer No: 00619

No one goes to a movie directed by Michael Bay for delicacy and grace; you go because Michael Bay (Armageddon, The Rock) knows how to make your bones rattle during a high-speed chase when a car flips over, spins through the air, and smacks another car with a visceral crunch. Bad Boys II fulfills this expectation and then some. Will Smith and Martin Lawrence may be mere puppets amid all this burning rubber and shrieking metal, but they actually provide a human core to the endless cascade of car wrecks and gunfights. Their easy rapport makes their personal problems--a running joke is Lawrence's attempts at anger management--as engaging as the sheer visual hullabaloo of bullets and explosions. The plot is recycled nonsense about drug lords and dead bodies being used to smuggle drugs, but orchestration of violence is symphonic. If that's your thing, then this is for you. --Bret Fetzer

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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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running time 95 minutes

This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring break, he's left dateless for the all-important prom. With a little goading from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor. What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a movie good-natured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark Englehart

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The scene in Berlin on the night of November 9, 1989, was shocking. In a televised news conference, it was suddenly announced that the Berlin Wall, long a symbol of the divide between East and West, was being opened. Crowds spontaneously raced to the wall and bewildered border guards let thousands of people climb atop it. The exuberant scene had been decades in the making, and this video portrays, through interviews with participants, how people under Communist rule in the Eastern Bloc were slowly exposed to Western culture and how that yearning for freedom eventually blossomed in the "People Power" movements of the 1980s. Beginning with the Solidarity labor union led by Lech Walesa in Poland, agitation for reforms grew steadily. The rise of Mikhail Gorbachev, the Soviet Union's first telegenic leader, led to startling economic reforms. But this video shows how it was Western culture, including rock music and blue jeans, that fired the imagination of people living under Communism. By the end of the 1980s, new heroes of democracy, including Vaclav Havel, presided over joyous celebrations. Change was not always pleasant, however, as shown by the bloody revolts in Romania, which resulted in the eventual execution of dictator Nicolae Ceausescu and his wife. This video provides an informative and clear narrative of how profound changes came to Eastern Europe and the Soviet Union, ending in a moving montage of huge statues of Lenin, long the symbol of Communism, being removed by helicopters, and being carried off, literally, to the scrapheaps. --Robert J. McNamara

"I just felt as though [the border guard] was an obstacle that wouldn't let me through. And I thought never again will someone stand in front of me and say, 'You can't go through here.'" - Barbel Reinke, East Germany. In 1991, the Communist Party lost control of the Soviet Union, the culmination of a process that had started in 1980 in the Polish shipyards: Ten million eventually joined Lech Walesa's Solidarity movement and signaled the beginning of the end for Soviet-style communism. In People Power, eyewitnesses tell the story of how the Communist system that dominated post-war Eastern Europe collapsed as they remember the extraordinary weeks that preceded and followed the fall of the Berlin Wall; Poland's fight for solidarity; Czechoslovakia's "Velvet Revolution;" the struggle for power in the Soviet Union, and more. The people remember: 1980 Gdansk, the role of the Church, Solidarity movement, martial law in Poland, Czechoslovakia, Hungary, the Berlin Wall, Romania, Mikhail Gorbachev and Boris Yeltsin, the dissolution of the Soviet Union.

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Stirring, true-life war epic starring Mel Gibson as Harold G. Moore, a Harvard-educated lieutenant colonel who, in November 1965, led 400 American troops in the first major conflict between U.S. soldiers and the North Vietnamese. The results were disastrous as the men found themselves surrounded by 2,000 enemy soldiers in the la Drang Valley. With Madeleine Stowe, Chris Klein, Barry Pepper, and Sam Elliott. 138 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1 EX, Dolby Digital Surround, French Dolby Digital Surround; Subtitles: English; audio commentary; behind-the-scenes footage; deleted scenes.

Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood's typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (played with colorful nuance by Mel Gibson) and nearly 400 inexperienced troopers from the U.S. Air Cavalry were surrounded by 2,000 North Vietnamese Army soldiers, and the film re-creates this brutal firefight with graphic authenticity, while telling the parallel story of grieving army wives back home. While UPI reporter Galloway (Barry Pepper) risks his life to chronicle the battle, Wallace offers a balanced (though somewhat fictionalized) perspective while eliciting laudable performances from an excellent cast. Like the best World War II dramas of the 1940s, We Were Soldiers pays tribute to brave men while avoiding the pitfalls of propaganda. --Jeff Shannon

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• TESTED

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Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums. The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker

Thrilling and sensitive story traces the lives of two hoops-loving teens and next-door neighbors-Monica (Sanaa Lathan), who wants to be the first female NBA player, and Quincy (Omar Epps), who dreams of becoming a pro court star like his dad-from high school and college into adulthood, showing how their dedication to the game brings them together and keeps them apart. Alfre Woodard and Dennis Haysbert also star. 127 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital stereo Surround; Subtitles: English; audio commentary; deleted scenes; bloopers; storyboards; music video; theatrical trailer; DVD-ROM content.

Features

• From the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game.between family and team.between Love and BasketballRunning Time: 127 min. System Requirements: Starring: Omar Epps, Debbi Morgan, Sanaa Lathan, Harry J. Lennix, and Alfre Woodard. Directed by Gi

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Pygmalion goes to high school in this sharp, funny tale. After betting he can turn any girl into his school's prom queen, class hunk Freddie Prinze, Jr. has his work cut out for him when his friends select shy, nerdy artist Rachael Leigh Cook. As Prinze woos Cook and makes her over, he becomes genuinely attracted to her, but what happens when Cook learns of the wager? Matthew Lillard, Jodi Lyn O'Keefe co-star. 95 min. Widescreen; Soundtrack: English Dolby Digital 5.1; scene access; music video.

This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring break, he's left dateless for the all-important prom. With a little goading from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor. What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a movie good-natured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark Englehart