Sale Price: $58.00 - $155.00

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A striking blend of retro style and modern technology. Programmable for brewing up to 24 hours in advance. Setting for 1 to 4 cups ensures full-bodied flavor and aroma. BrewPause™ feature lets you enjoy a cup before brewing is finished. Adjustable heater plate setting keeps coffee at the temperature you prefer. Audible "ready" signal. Automatic shutoff. Includes Gold Tone metal filter, #4 paper filter starter kit and coffee scoop. Model: DCC-1200.Product Features• Charcoal filter removes calcium and chlorine impurities for pure coffee flavor• Reservoir lid lifts up for easy filling• Brew Pause feature lets you pour a cup before the brewing process is finished• 12-cup carafe has ergonomic handle for comfortable, dripless pouring• Simple On/Off operation make unit easy to use• On/off switch, auto-on 24-hour advance brew start, programmable auto shutoff and a choice of 1-4 or 5+ cup settings, make this coffee maker easy to use• Decalcification indicator signals when its time to clean• Heater plate features adjustable settings for custom temperature• Brushed stainless steel finish and industrial switches give a vintage look for today's gourmet kitchen• LCD digital clock is easy to read• Showerhead distributes water evenly over coffee reducing temperature loss as water passes through grounds• Ready tone signals the end of the brew cycle• Cord storage feature keeps countertop neat and safeIncludes• 12-cup glass carafe• Charcoal water filter• Gold tone coffee filter• Filter basket• Illustrated instruction booklet

Sale Price: $44.99 - $90.53

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This classically designed coffeemaker is accented with stainless steel for a look that is sure to enhance your countertop. The 12 cup carafe features an ergonomic handle, dripless spout and knuckle guard for comfortable, drip-free pouring. Fully automatic, the DCC-1100 has 24-hour programmability and 1 to 4 cup setting for those times you don't need a full pot of coffee. The Brew pause feature lets you pour a cup before brewing is completed, while the gold tone coffee filter and charcoal water filter ensure fresh, delicious tasting coffee.

Features

• Classic coffee maker with stainless steel accents
• Features a comfortable ergonomic handle
• Has a dripless spout and knuckle guard
• Fully automatic, 24-hour programmability
• Brew pause option to have a cup before brewing is completed

List Price: $28.00
Sale Price: $17.97
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Description

Nissan 16 -ounce stainless steel insulated bottle

Features

• Made with a light and compact design to take on the go; fits in purses, backpacks, briefcases, and luggage
• Features a leak-proof design with a pour spout and twist opening, as well as a smooth interior for easy, sanitary cleaning
• Tempered, unbreakable stainless-steel liner and outer shell to prevent denting and to keep contents fresher longer
• Vacuum insulated to keep contents hot for up to 12 hours or cold for up to 24 hours; holds up to 16 ounces of beverage or soup
• Measures 10 inches high with a 2.9-inch diameter, weighs 9/10 of one pound, and comes covered by a full 5-year warranty

List Price: $13.96
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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: RAITT,BONNIETitle: TAKIN' MY TIMEStreet Release Date: 03/05/2002

Along with Give It Up, Bonnie Raitt's third album, Takin' My Time, stands as her finest work prior to her 1989 critical and commercial watershed, Nick of Time. Featuring an eclectic mix of pop, rock, blues, and soul, the material ranges from Eric Kaz's powerful ballad "Cry Like a Rainstorm" and Jackson Browne's "I Thought I Was a Child" to the snappy acoustic blues of Mississippi Fred McDowell's "Write Me a Few of Your Lines/Kokomo Blues" and the charming calypso "Wah She Go Do." Raitt is backed on the album by members of Little Feat as well as Taj Mahal, legendary New Orleans drummer Earl Palmer, and Rolling Stones sax man Ernie Watts, giving the album a loose, grooving vibe. Her versions of Mose Allison's smoldering "Everybody's Cryin' Mercy" and Randy Newman's sly "Guilty" are real standouts. --Daniel Durchholz

List Price: $11.98
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This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's "Summertime" is a heated example of Coltrane's "sheets of sound" approach to conventional changes, while "But Not for Me" receives a radical harmonic makeover. This is an excellent introduction to Coltrane's work. --Stuart Broomer

No Description Available.Genre: Jazz MusicRating: Release Date: 0000-00-00Media Type: Compact Disk

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The major Morricone fan is probably going to also want the Rhino two-CD anthology A Fistful of Film Music, but this is a 31-track, 73-minute sampler (at a budget price!) devoted to the western music that made him famous is a fantastic sampler. Most of the familiar Morricone/Leone title themes are here (several selections from "Fistful of Dollars," "For a Few Dollars More," "Once Upon a Time in the West"--although curiously not "The Good, The Bad, And The Ugly"). But perhaps most exciting are the many tracks (and movies) you've probably never heard of ("A Gun for Ringo," "Guns Don't Argue"). All of it, however, is unmistakably vintage Morricone, with those twanging guitars and melodramatic, sweeping choruses. Hysterical and epic, over-the-top and genuinely moving, nobody's ever written music quite like this. --Jim Emerson

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: MORRICONE,ENNIOTitle: LEGENDARY ITALIAN WESTERNSStreet Release Date: 07/17/1990

List Price: $69.99
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Brand New Sealed. Ship insured with tracking.

Review for A Fistful of Dollars:A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe Review for The Good, the Bad, and the Ugly:If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era quest for $200,000 worth of buried Confederate gold. Virtually all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

Features

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescreen

Sale Price: $1.99

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Sale Price: $3.99

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