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Classic Blue by Justin HaywardThis product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

1993 reissue on Castle of the Moody Blues vocalist's 1989solo album for Trax Music with Mike Batt & The LondonPhilharmonic Orchestra assisting. The 13 track album iscomprised of pop & rock classics, including 'The Tracks OfMy Tears', 'God Only Knows', 'Ma

This is the Moody Blues Guitarist / Vocalist Heyward's 1994 Orchestral, Cover Tune-heavy Solo Effort. Features Many Brilliant Numbers Like Smokey Robinson's 'tracks of My Tears', a Treatment of Lennon / Mccartney's 'blackbird', a Cover of 'god Only Knows' (Brian Wilson / the Beach Boys), 'macarthur Park' by Richard Harris and Many, Many More.

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Tail Shaking with Ronnie Hayward by Ronnie HaywardThis product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

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Irving Pichel's They Won't Believe Me is the flashback unfolding of Larry Ballentine's (Robert Young) witness-stand testimony in his trial for the murder of girlfriend Verna Carlson (Susan Hayward). The flashback structure of this suspenseful film noir effectively creates a foreboding tension that mounts to a powerful final scene.
While it contains a few too many echoes of true film noir masterpieces, especially Double Indemnity, They Won't Believe Me is a very satisfying crime thriller in its own right. It's heavily plot-dependent (not unusual for the genre), and that is both its blessing and its curse -- the twists and turns the plot takes are intriguing, but they're also somewhat contrived, and their artificiality will turn off some viewers. Some might also be bothered by the lead character, an amoral, self-centered, greedy bounder, but others will find his flaws quite interesting, especially in a film from this era. He's well played by a cast-against-type Robert Young, who delivers an extremely effective performance. He's matched by his trio of leading ladies, with Susan Hayward in especially fine form as the most fatale-ish of the group. Some will wonder what this group of ladies finds so irresistible in Young, who lacks the overt hardboiled sexuality and/or raffish charm of many noir leading men, yet that air of mystery hints that, in bed, Young has, shall we say, hidden depths that censors of the time wouldn't have allowed to be seen. Irving Pichel directs with surprising style and shows an affinity for the genre. They Won't Believe Me is especially recommended for noir enthusiasts who have exhausted the "big guns" and are looking for lesser-known titles. (AllMovie)

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Rawhide (no relation to the TV series) is a trim, satisfying Henry Hathaway picture that blends the leathery trappings of the Western with the claustrophobic atmosphere and intensity of a suspense film. Everything unfolds at a remote swing station for the transcontinental stagecoach. Routine life and work is disrupted by the arrival of several no-goods who aim to help themselves to a gold shipment. But the gold shipment isn't on the next coach, so the stationmasters and some stranded passengers are obliged to try to act normal under the guns of the intruders. Tyrone Power and Susan Hayward handle the heroics without larger-than-life posturing; Dean Jagger and Hugh Marlowe relish the rare opportunity to play villainous or ambiguous types; and Jack Elam is, well, Jack Elam, reliably vicious in every pore. The script is by Dudley Nichols--who should know the territory, having scripted John Ford's Stagecoach 13 years earlier. --Richard T. Jameson

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This boxed set of 10 VHS tapes, each it its own box and all it a decorative large storage box, contains Smash-Up (B&W), Tulsa (Color), Mr. Imperium (Color), Last Time I saw Paris (Technicolor), Nothing Sacred (Technicolor), Cyrano de Bergerac (B&W), Made for Each Other (B&W), Pygmalion (B&W), The Penny Serenade (B&W), The Divorce of Lady X (technicolor). These are mastered from the original studio prints. Some from restored 35MM technicolor print, some from 35MM nitrate fine grain. Normal fade or static can be expected. Tracking adjustment for your VCR may be needed.

Features

• All romance
• Mastered from the original studio prints
• Film classics!
• 10 classic movies
• Tracking adjustment may be needed on your VCR (this is typical for vintage film)

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Hayward Economy Above Ground Pump Perfect for most above ground pools, this economical pump by Hayward combines durable, corrosion proof construction with advanced features and performance. Features Self Priming1 1/2 inch intake & discharge, high performance impeller, heat resistant, double sided seal for long motor life and a 6 foot, 120 volt power cord.

Features

• The Hayward SP1580X15 PowerFlo LX pump with strainer is a high-performance pump designed for above-ground pools.
• The 100-percent drip proof, heat-resistant double-sized seal allows for long motor life; rated at 1-1/2-horesepower
• Features a self-priming 1-1/2 inch intake and discharge, high performance impeller, heat resistant double-sided seal for long motor life, and a 6-foot power cord (120-volt)
• Clear cover lets you see when basket needs cleaning and the drain plug allows for easy maintenance of pump
• Exclusive corrosion-proof reinforced thermoplastic housing for all-weather performance and quiet operation

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• Designed for controlling outdoor decorations and holiday lighting
• Use for the filter pump of an above ground pool
• Up to 2 ON/OFF settings per day
• For applications up to 15 Amps
• Standard 3 prong ground plug and receptacle

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The Intex Sand Filter Pump offers many advantages over cartridge filter and Diatomaceous Earth (DE) above ground pool pumps. A sand filter pump is the most efficient and lowest maintenance filter pump option for your above ground swimming pool. The sand filtration media lasts 5 years on average and this saves you money since you will not need to buy replacement filter cartridges every summer. Plus, sand filter pumps tend to last 2-3 times longer than traditional filter cartridge pumps for above ground pools.6-function control enables you to easily maintain this filter pump system with settings for normal filtering, backwash, rinse, recirculate, drain and close system. This low maintenance sand filter is very easy to operate and maintain. Simply set the daily timer for automatic hassle-free management. The timer has daily cycle settings of 2, 4, 6, 8 or 12 hours. The size of your pool will determine the sand filter pump's daily cleaning period. Refer to the sand filter pump's operating manual for your pool's daily cleaning cycle requirements.The Intex above ground pool sand filter pump includes a strainer basket that automatically collects most of your pool's larger floating debris. This will prolong the life of the pump's sand media and the sand filter pump itself. This Intex sand filter pump is best suited for above ground pools 18' and larger in diameter with a water capacity up to 21,200 gallons (80,250 L), however it will work with smaller Intex above ground pools with the addition of hose adapters that will couple the pump's 1.5" diameter hose fittings to a smaller pool's 1.25" diameter valves.This pool sand filtration pump has a 2 year limited warranty from the manufacturer, Intex®. Any warranty claim must be submitted to the manufacturer. For warranty inquiries please refer to the operating manual and call the Intex Consumer Hot line at 1-800-234-6839, Monday thru Friday, 9am to 5pm Pacific time.

Features

• Sand filter for medium-sized pools and spas
• 0.95 horsepower pump; 2,650 gallons per hour
• Includes a skimmer basket
• 12-hour timer
• 2-year warranty

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One of the first of the '50s "adult Westerns," "The Gunfighter" (1950) stars Gregory Peck as a weary gunslinger trying to visit his estranged wife and son, but finding from town to town that he can't escape his reputation as "fastest draw in the land." With Karl Malden, Helen Westcott, Millard Mitchell. Next, the 1935 gangster film "Show Them No Mercy" was transformed into a Western for "Rawhide" (1951), a suspenseful tale of four people at a stagecoach station who are taken hostage by a gang of robbers. Tyrone Power, Susan Hayward, Hugh Marlowe, Dean Jagger, and Edgar Buchanan star. And, three men on their way to mine for gold in California stop in Mexico where they accept a lucrative--and dangerous--offer from a woman who promises them $2,000 each to rescue her husband from a caved-in mine shaft, in "Garden of Evil" (1954). Gary Cooper, Richard Widmark, Hayward, Marlowe star. 4 1/2 hrs. total on three discs. Standard/Widescreen; Soundtracks: English Dolby Digital stereo, Dolby Digital mono, Spanish Dolby Digital mono; Subtitles: English, Spanish; featurettes; theatrical trailers.

One of these three new-to-DVD Westerns is a universally esteemed classic, well worth the price of the set. But in happy fact, the whole package delivers the goods: sturdy genre entertainment from the Western's peak decade, the 1950s; solid Fox studio craftsmanship in every department; and breathtakingly crisp restorations that make you feel you've been time-warped back to a loge seat in your Bijou of choice on opening day. Henry King's The Gunfighter (1950) is the crown jewel--the film that deserves the credit (often awarded to High Noon) for ushering in the "adult Western," the '50s subgenre that emphasized psychological intensity over action and spectacle. Gregory Peck (topping his acclaimed performance in King's WWII drama Twelve O'Clock High) is excellent as Jimmy Ringo, a notorious shootist grown middle-aged and mortally weary of having to defend his legend. His trail takes him to a frontier town where an old comrade (the great Millard Mitchell) now serves as marshal, and where Ringo's estranged wife and the son he has never seen also reside, under an assumed name. Over one night and one day, Ringo dares to dream of a normal life. But there are avengers not far behind, and other threats yet to be counted. Although hailed by critics, The Gunfighter lost money for Fox; studio head Darryl F. Zanuck blamed the soup-strainer mustache--a stroke of period realism--director King ordered Peck to grow for the role. Well, a little red ink is a small price to pay for a masterpiece. Incidentally, the impeccable black-and-white cinematography is by three-time Oscar-winner Arthur Miller, capping a career that reached back to The Perils of Pauline. The 1951 Rawhide (no relation to the later TV series) is a trim, satisfying Henry Hathaway picture that blends the leathery trappings of the Western with the claustrophobic atmosphere and intensity of a noir suspense film. At a remote swing station for the transcontinental stagecoach, several no-goods aim to help themselves to a gold shipment. But the next coach isn't carrying gold, so the intruders hold the stationmasters (Tyrone Power and Edgar Buchanan) and some stranded passengers captive while they wait. Power and Susan Hayward handle the heroics without larger-than-life posturing; Dean Jagger, Hugh Marlowe, and George Tobias relish the rare opportunity to play villainous or ambiguous types; and Jack Elam is, well, Jack Elam, reliably oozing viciousness from every pore. Screenwriter Dudley Nichols knew the territory, having scripted John Ford's Stagecoach thirteen years earlier. Hathaway also directed Garden of Evil (1954), Fox's first Western in the new CinemaScope process. (Very wiiiiide CinemaScope--the DVD preserves the 2.55:1 format, which was later modified to 2.35:1.) The story involves several fortune-seeking Americanos accidentally thrown together in Mexico and enlisted to help rescue a fellow countryman injured at his remote gold mine. Much of the film unreels as a journey Western exploring tensions among the strangers, especially those inspired by dreaming of gold and the man's redheaded wife (Susan Hayward). The dialogue reaches for profundity and comes up short, but Richard Widmark as a self-designated "poet" and Gary Cooper as a retired lawman give satisfaction as they one-up each other. The movie's distinction lies in Hathaway's no-sweat adaptation to the widescreen format, the awe-inspiring Mexican settings--a deserted village, a valley of black sand, a mountain town buried under volcanic ash--and the only music score ever composed for a feature Western by Bernard Herrmann. Herrmann is just about the only thing the four commentators on Garden of Evil talk about (there's also a separate "making of" featurette). Nobody does commentary on The Gunfighter or Rawhide, but the disc for the former includes a featurette on master cameraman Arthur Miller, while a Rawhide addendum highlights the oft-used movie location of Lone Pine, Calif., and another pays tribute to gutsy leading lady Susan Hayward. Talking heads include some half-dozen film historians (e.g., David Biographical Dictionary of Film Thomson) plus Henry Hathaway's son and Gary Cooper's daughter. --Richard T. Jameson