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Ideal for all basic water testing applications. The best value meter in the world! .. Economy model that is ideal for end-users. .. Highly efficient and accurate due to its advanced microprocessor technology. .. Hold Function: saves measurements for convenient reading and recording. .. Auto-off function: the meter shuts off automatically after 10 minutes of non-use to conserve batteries. .. Measurement Range: 0-9990 ppm. From 0-999 ppm, the resolution is in increments of 1ppm. From 1000 to 9990 ppm, the resolution is in increments of 10ppm, indicated by a blinking 'x10' image. .. Factory Calibrated: our meters are calibrated with a 342 ppm NaCl solution. Meters can be recalibrated with a mini-screwdriver. ...

Features

• Economy model that is ideal for end-users.
• Highly efficient and accurate due to its advanced microprocessor technology.
• Hold Function: saves measurements for convenient reading and recording.
• Auto-off function: the meter shuts off automatically after 10 minutes of non-use.
• Measurement Range: 0-9990 ppm. Display: large and easy-to-read LCD screen.

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Cooking a dinner-party roast, holiday turkey, or backyard-barbecue pork loin to precisely the proper temperature without fuss is a snap with this thermometer. You can even monitor two foods (beef and lamb, for instance) simultaneously, since two stainless-steel probes are included, each 6 inches long and each connected to a 39-inch stainless-steel wire. Here's how it works: program the tool (two AA batteries included) by selecting either "beef," "veal," "lamb," "pork," "chicken," or "turkey." Then program to rare, medium-rare, medium, or well-done. The monitor displays the proper temperature--which can be altered by pressing a button. Place the probe into, say, a turkey. Run the wire from the oven and close the door. (Door should remain closed until turkey is done so oven temperature doesn't vary.) Plug the wire into the monitor, and open the monitor's built-in stand. Set the clock to the current time. (Remember, two probes can be used simultaneously for different foods, with the monitor programmed separately for each.) The monitor constantly displays the turkey's internal temperature and elapsed cooking time. (The timer can be used independently of thermometer.) When the turkey reaches the selected temperature, an alarm sounds. Meanwhile, hook the pager (two AA batteries included) to your belt or drop it into your pocket. The pager beeps when the monitor's alarm sounds and works up to 75 feet away, liberating the cook from the kitchen. The probes can also be plugged into the pager, which displays a food's temperature on its LCD screen. So barbecuing brisket outside, roasting chicken in the oven, and keeping track of both is possible. --Fred Brack

Allows the user to monitor two different foods at one time Each food can have its own temperature or taste setting Transmitter and 2 probes included Choose from six settings beef, turkey, pork, veal, lamb, or chicken Taste or doneness rare, medium, medium well, well done as appropriate for each meat Choose your own target Set temperature up to 410 degrees F or 210 degrees C Actual internal food temperatures for one or two different foods Elapsed cooking timer alternates digits with meat by pressing the Mode button

Features

• Monitor two different foods at one time.
• Works wirelessly up to 100 feet.
• Probe and wire are rated for over 500 degrees.
• Elapsed cooking timer
• Batteries included

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Add your choice of flavored syrup. Now you can enjoy the wonderful cool taste of Snow Cones anytime in the convenience of your own home. Fun for the whole family and a great relief for hot weather. You can also make fruity slush drinks, yogurt snow, and snow smoothies. It's the very best in Snow Cone Machines and Snow Cone Makers! Convenient countertop size Side tray to hold snow cones Works with standard ice cubes Stainless steel ice-shaving blades 2 reusable plastic cones included Plastic and Metal Construction Assembly level/degree of difficulty: Easy.

Features

• Countertop snow-cone machine with stainless-steel ice-shaving blades
• Uses regular-size ice cubes; add any favorite syrup or other flavoring
• 2 reusable plastic cones included; side tray to hold the snow cones
• Built-in safety on/off switch; removable ice-cube compartment; retro styling
• Measures 12-1/2 by 10-1/2 by 15-1/2 inches; 90-day limited warranty

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She's only had four bona fide Top-40 American hits, and one was a Miles of Aisles live version of "Big Yellow Taxi" that's not included here. But after almost 30 years, she's finally delivered a 15-song compilation of her signature songs that will be a CD point-of-departure for casual fans and newcomers well into the new millennium. The companion Misses volume is an intriguing curio that might rather more generously have been marketed as a bonus disc. --Jeff Bateman

MITCHELL JONI HITS

Features

• MITCHELL JONI HITS

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Facing terminal brain cancer, young Pete Carlton (Marc Donato) implores famed entomologist Alan Osborn (William Hurt) to help him and his mother visit the Costa Rican rainforest to find the rare Blue Morpho butterfly, which the child believes might heal him with its reputed mystical powers. Suspenseful and heartwarming drama, based on a true story, also stars Pascale Bussieres, Steve Adams. 97 min. Soundtrack: English; featurettes; games; interviews; photo gallery; theatrical trailer.

Features

• The Blue Butterfly tells the extraordinary story of a 10-year-old boy, diagnosed as terminally ill, whose dream is to catch the most beautiful butterfly on Earth the mythic and elusive Blue Morpho. His mother persuades a renowned entomologist (William Hurt) to take them on a trip to the Costa Rican rain forest to search for the butterfly, leading to an adventure that will transform their lives. An

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Aside from the ubiquitous presence of a Fatboy Slim track ("Praise You") and the Verve's yesteryear anthem of choice, "Bittersweet Symphony," the cuts on this teensploitation-influenced compilation are hardly cut-out bin oatmeal. Fans restless to sample fresh Blur material will bask in the moody glow of "Coffee & TV," while other tracks offer some lesser-known but tasty dance-floor modernists such as Faithless and Kristen Barry. This is after-hours room service of taunting rock and acerbic ballads, and it highly complements the film's at-odds crew of mean-spirited teen sirens and endangered Cinderella figures, all of whom would rather watch the beautiful people than join their rat race. --Kristy Ojala

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The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

The 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

A "global killer" asteroid the size of Texas is heading towards Earth, and the future of the planet rests with a misfit group of oil-drilling experts. Their job: land a space shuttle on the rock and plant a nuclear device inside to blow it up. Striking special effects highlight this smash hit that stars Bruce Willis, Ben Affleck, Liv Tyler, Will Patton, Steve Buscemi, and Billy Bob Thornton; directed by Michael Bay. 151 min. Widescreen; Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1; music video; theatrical trailers.

Features

• When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format

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Gremlins is a whee of a film (if you don't mind the occasional gross-out) from producer Steven Spielberg, writer Chris Columbus, and director Joe Dante. Zach Galligan is the young man whose inventor father (Hoyt Axton) gives him an odd Christmas present: a tiny, furry creature that comes with a set of rules: don't get him wet, don't feed him after midnight, and keep him away from direct sunlight. But Galligan breaks the first rule and the damp little critter pops out a dozen little offspring. Then the offspring break the second rule and, overnight, turn from cute furry guys to malevolent scaly guys with world domination on their mind. The only way to stop them: rule three. But it's an anxious (and extremely funny) battle to make it to daylight--and the bad gremlins find ways to multiply over and over. Great special effects and a gruesome sense of humor make this a wild (if occasionally dark and scary) ride. --Marshall Fine

No Description Available.Genre: Feature Film-ComedyRating: PGRelease Date: 15-MAY-2007Media Type: DVD

Features

• A man buys a Mogwai as a Christmas present for his son. The young boy is told to keep the pet away from water, out of the light and never to feed it after midnight. Inadvertently, the creature is dampened and almost instantly, produces half a dozen furry replicas of itself --which continue to multiply and turn the small town upside-down. Format: DVD MOVIE Genre: HORROR Rating: PG

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It's hilarious holiday havoc for Chevy Chase and his brood, as the Griswolds' plans for an old-fashioned family Christmas go up in smoke (just like their cat!) when a horde of boorish relatives descends upon their home. Comedic carol of calamities also stars Beverly D'Angelo, Randy Quaid, Brian Doyle-Murray, Julia Louis-Dreyfus, and Juliette Lewis. 97 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital Surround stereo, French Dolby Digital mono; Subtitles: English, French, Spanish; audio commentary; theatrical trailer.

You know exactly what you're getting in National Lampoon's Christmas Vacation: another goofball, slapstick comedy of chaos and catastrophe with Clark Griswold (Chevy Chase) and family. This time, there's no traveling involved: Clark and Ellen (Beverly D'Angelo) prepare for a nice Christmas with the kids (played by none other than Juliette Lewis and Roseanne star Johnny Galecki), when their home is invaded by backwoods cousin Eddie (Randy Quaid) and his brood, along with assorted other crazy and/or stuffy relatives. Complications, of course, are inevitable. The film is preceded by National Lampoon's Vacation (1983) and National Lampoon's European Vacation (1985) and followed by National Lampoon's Vegas Vacation (1997). Directed by Jeremiah Chechik, who went on to do Benny & Joon and the Sharon Stone remake of Diabolique. --Jim Emerson

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