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* Produce saver * Fresh vent and crisp tray keeps produce fresh and crisp longer * Lids and trays snap to bases and each other for easy and organized storage * Microwave, freezer, and dishwasher safe * Square design * 8-piece set includes: one 14-cup, one 5-cup, and two 2-cup food-storage containers, with four lids

Features

• 8-piece set includes: one 14-cup, one 5-cup, and two 2-cup food-storage containers, with four lids
• Tray and vent system helps extend the life of produce
• Super-clear base allows for better visibility of inside contents
• Safe to use in refrigerator, freezer, microwave, and dishwasher
• Measures approximately 5 by 5 by 3 inches

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Somebody should've invented this ages ago! No more swirling with spoons that are too short, or risking a shaking maneuver; this pitcher has an agitator inside that can be spun with the handle to mix up powdered lemonade, fruit punches, iced tea and more.

Features

• Plastic
• 4 3/4" Diameter x 10 7/8" H
• 2 Qt. capacity
• Plunger can be agitated to mix up powdered beverages without messy shaking
• Made in USA

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Basil Fawlty, as created and performed by John Cleese, is the rudest, most boorish, most hilariously obnoxious man on the face of the planet. What a natural for a TV sitcom! His screen wife, Sybil (Prunella Scales), put it best in the episode "The Psychiatrist": "You're either crawling all over them, licking their boots, or spitting poison at them like some Benzedrine puff adder." He mockingly replies, "Just trying to enjoy myself, dear." With his gangly frame and contortionist abilities, Cleese brilliantly punctuates Basil's outrageous faux pas with absurd gymnastics and turns Three Stooges-style pokes and kicks into a slapstick ballet. Scales's Sybil is the genial but obliviously chatty voice of reason and Andrew Sachs mangles the English language as the Spanish bellhop Manuel, whose struggles with simple directions results in comic lunacy reminiscent of Robert Benigni. After a six-episode run in 1975, Cleese and cowriter and costar Connie Booth (who plays Polly, the maid all too often pulled into Basil's ridiculous plans) reunited the cast in 1979 for another six episodes without missing a punch line. The four-volume collection contains all 12 shows, interspersed with interview segments featuring Cleese discussing the genesis of the series and anecdotes about the individual episodes. Remember to watch the opening credits of each show to spot the creative misspellings on the hotel sign (our favorite: "Fatty Owls"). --Sean AxmakerAlso on the discs While enjoying your Fawlty Towers holiday, be sure to extend your stay by visiting the deluxe extra features. New to this set are entertaining commentaries by John Cleese, who provides illuminating insights into how these "lovely little farces" were constructed. He expresses genuine affection for the cast and guest stars, is quick to praise exquisite bits of comic business ("This is funnier than I remember"), and is not shy about criticizing his own performance ("I don't think I acted this right"). Also new to this set are newly filmed interviews with Cleese, Prunella Scales, Andrew Sachs, and Connie Booth, who offers some great anecdotes about collaborating with her then-husband Cleese and how some memorable gags were created. Donald Sinclair, the real-life rude hotelier who inspired the character of Basil Fawlty, is given his due, but be forewarned you will hear several versions of the Eric Idle ticking suitcase story. Also appearing are notable guest stars, including Bernard Cribbins ("The Hotel Inspectors"), Geoffrey Palmer ("The Kipper and the Corpse"), and David Kelly ("The Builders"), who talk of their experiences on one of television's towering sitcoms. There is also an odd "Cheap Tatty Review." Holdover features from the previously released boxed set include episode commentaries by directors John Howard Davies and Bob Spiers; archival interviews with Cleese, Scales, and Sachs; a short film about Torquay; disappointingly paltry outtakes; and a helpful Who's Who guide to the series' cast and guest stars. --Donald Liebenson

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By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon

Based on Pink Floyd's hit album, this dazzling rock musical stars Bob Geldof as Pink, a rock star tortured by his past and descending into madness. His breakdown is represented by striking live-action and animated sequences and such Floyd songs as "Another Brick in the Wall," "Comfortably Numb," "Goodbye Blue Sky," "The Trial" and others. With Bob Hoskins, Christine Hargreaves; Alan Parker directs. 83 min. Widescreen; Soundtrack: English Dolby Digital 5.1; documentary; photo gallery; theatrical trailer; movie poster.

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By 1937, where Volume Two of this long overdue chronological collection picks up, Moe, Larry, and Curly had been performing together for over a decade, and appeared in several feature films and 19 short subjects for Columbia. They were just getting warmed up; there is nary a clunker among the 24 shorts on this two-disc set. Several rank in the Stooges pantheon, including "Grips, Grunts and Groans" (with Bustoff the wrestler), "Violent is the Word for Curly" (with "Swinging the Alphabet"), and "Healthy, Wealthy and Dumb" (the Stooges live the hotel high life after Curly wins a radio contest). These comedies must have been a great escape for Depression-era moviegoers, particularly the ones in which the rich are reduced to food-throwing goofs ("Three Sappy People"). For the Stooges, it's not prosperity that's around the corner, but more often, con men on the lookout for "suckers" to swindle ("A Ducking They Will Go," "Playing the Ponies"). Reflecting America's can-do spirit, the Stooges are nothing if not resilient. These shorts may find them down, but they are never out. The boys are ungainfully employed as Calvary spies ("Goofs and Saddles"), janitors ("Three Missing Links"), dog washers ("Mutts to You"), firemen ("Flat Foot Stooges"), traveling salesmen ("Saved by the Belle"), and vets ("Calling all Curs"). Some of the best shorts turn on mistaken identity: They are confused for college professors in "Violent is the Word for Curly," high society escorts in "Termites of 1938," and famous decorators in "Tassels in the Air." For all the hair-tearing, eye-poking, and shovel-clobbering, the Stooges surprise with the odd musical grace note, such as their rendition of the silly "The Lollipop Song" in "Wee Wee Monsieur," and their music box-accompanied pas-de-trio with pilgrim lasses Faith, Hope, and Charity in "Back to the Woods." One also does not ordinarily look to the Stooges for pathos, or, for that matter, heartwarming happy endings, but "Cash and Carry" delivers both as the boys set out to raise $500 for a crippled boy's operation. "Flat Foot Stooges" is something of a milestone. It marks the debut of "Three Blind Mice" as the Stooges new theme song, which would replace the twittering "Listen to the Mockingbird." The shorts are presented complete and uncut, which means the PC police are standing by to issue citations for such egregious stereotypes as the grunting, shrieking "savages" in the colonial comedy, "Back to the Woods," and the Stooges' turn as Yiddish-speaking Chinese launderers in "Mutts to You." --Donald Liebenson

Like New condition - tracking Number - Next-day shipping - Ships from Ohio

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Basil Fawlty, as created and performed by John Cleese, is the rudest, most boorish, most hilariously obnoxious man on the face of the planet. What a natural for a TV sitcom! His screen wife, Sybil (Prunella Scales), put it best in the episode "The Psychiatrist": "You're either crawling all over them, licking their boots, or spitting poison at them like some Benzedrine puff adder." He mockingly replies, "Just trying to enjoy myself, dear." With his gangly frame and contortionist abilities, Cleese brilliantly punctuates Basil's outrageous faux pas with absurd gymnastics and turns Three Stooges-style pokes and kicks into a slapstick ballet. Scales's Sybil is the genial but obliviously chatty voice of reason and Andrew Sachs mangles the English language as the Spanish bellhop Manuel, whose struggles with simple directions results in comic lunacy reminiscent of Robert Benigni. After a six-episode run in 1975, Cleese and cowriter and costar Connie Booth (who plays Polly, the maid all too often pulled into Basil's ridiculous plans) reunited the cast in 1979 for another six episodes without missing a punch line. The four-volume collection contains all 12 shows, interspersed with interview segments featuring Cleese discussing the genesis of the series and anecdotes about the individual episodes. Remember to watch the opening credits of each show to spot the creative misspellings on the hotel sign (our favorite: "Fatty Owls"). --Sean AxmakerAlso on the discs While enjoying your Fawlty Towers holiday, be sure to extend your stay by visiting the deluxe extra features. New to this set are entertaining commentaries by John Cleese, who provides illuminating insights into how these "lovely little farces" were constructed. He expresses genuine affection for the cast and guest stars, is quick to praise exquisite bits of comic business ("This is funnier than I remember"), and is not shy about criticizing his own performance ("I don't think I acted this right"). Also new to this set are newly filmed interviews with Cleese, Prunella Scales, Andrew Sachs, and Connie Booth, who offers some great anecdotes about collaborating with her then-husband Cleese and how some memorable gags were created. Donald Sinclair, the real-life rude hotelier who inspired the character of Basil Fawlty, is given his due, but be forewarned you will hear several versions of the Eric Idle ticking suitcase story. Also appearing are notable guest stars, including Bernard Cribbins ("The Hotel Inspectors"), Geoffrey Palmer ("The Kipper and the Corpse"), and David Kelly ("The Builders"), who talk of their experiences on one of television's towering sitcoms. There is also an odd "Cheap Tatty Review." Holdover features from the previously released boxed set include episode commentaries by directors John Howard Davies and Bob Spiers; archival interviews with Cleese, Scales, and Sachs; a short film about Torquay; disappointingly paltry outtakes; and a helpful Who's Who guide to the series' cast and guest stars. --Donald Liebenson

Monty Python's John Cleese was never in funnier fettle than as Basil Fawlty, the short-tempered, sardonic manager of a less-than-successful resort hotel, in this beloved BBC comedy. Connie Booth was Polly the maid; Andrew Sachs was Spanish handyman Manuel; and Prunella Scales was Basil's demanding wife, Sybil. Standard; Soundtrack: English Dolby Digital mono; Subtitles: English (SDH); audio commentary by Cleese; featurette; interviews; outtakes. 12 episodes on 3 discs. 6 1/4 hrs.

Features

• Coming to Special Edition DVD for the first time, it s the complete Fawlty Towers collection with all-new commentary from John Cleese! Hot off the runaway success of Monty Python s Flying Circus, John Cleese embarked on his now-legendary sitcom, Fawlty Towers, creating one of the most memorable and best loved characters in all of British comedy, Basil Fawlty. Basil Fawlty is a much put-upon, hard-

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Generously sized for everyday use and the bath. Formulated with a 100% vegetable base and enriched with nourishing Shea Butter. L'Occitane works directly with women's Shea-processing collectives in western Africa, supporting economic recovery--and a heritage of natural harvesting traditions. Non-irritating; suitable for men, women and children. In a range of L'Occitane fragrances. - Size: 8.8 oz

Features

• Size: 8.8 Ounce
• Pure Vegetable Soap
• Rich In Shea Butter
• For All Skin Types

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Light as a feather, slim-line and stylish; the Sweet Dreams Sleep and Relaxation Mask from Dream Essentials is a molded contoured sleep aid designed to block out unwanted light that would otherwise prevent you from going to sleep. The Sweet Dreams Sleep Mask offers full comfort, great light blocking capabilities without any pressure to the eyes. The Sleep Mask has molded eye cavities that enables good air circulation and keeps the eye lashes from touching the material. The Sleep Mask conveniently folds up into a complimentary satin style Drawstring Pouch and supplied with a pair of soft foam Earplugs. The Sleep Mask is made of molded soft foam, surrounded by a polyester interlock fabric, it has an adjustable Velcro strap. Besides helping you get to sleep at home, the Sweet Dreams Sleep Mask is ideal for helping you sleep while travelling and perfect for nightshift workers who need to block daylight. Care: Hand wash in cool water and lay flat to dry.

Features

• Breather's extremely well, this sleep mask is slim-line and very stylish great value for it's price
• Allows for uninterrupted rapid eye movement
• Comfortable, wide elastic strap has a quick release closure
• Made of comfortable closed cell foam and nylon that is washable and quick drying
• A free pair of soft foam earplugs and drawstring carry pouch included with every mask